georgeblahden:

"CHEEESSSS PAAARRRRGETERRRR."

georgeblahden:

"CHEEESSSS PAAARRRRGETERRRR."

babbleon:

Someone should write a story based on these photos, is all I’m saying.

(via giganticism)

cross-connect:

Digital artist Paolo Čeric (previously) continues to crank out some of the most elegant and bizarre gifs I’ve seen lately. The Croatian artist relies on software like Cinema 4D, After Effects, and a programing language called Processing, as well as a wild imagination to strange forms that wobble and twist with energy. See more recent animations on his Tumblr.                

via

Behance I Twitter I Facebook

selected by Tu recepcja

(via cross-connect)

shakespearean:

Would love to see an analysis of Beatrice and Benedick. Someone make a clever graph for Much Ado! The Oberon/Puck, Viola/Olivia stats don’t surprise me and are probably backed by some fanfic out there in the interwebs.
fuckyeahgreatplays:

FiveThirtyEight was surprised to find, via computer analysis, that Romeo and Juliet speak less to each other than to other characters.

I’m blaming Romeo for this lack of communication. Juliet speaks 155 lines to him, and he speaks only 101 to her. His reticence toward Juliet is particularly inexcusable when you consider that Romeo spends more time talking than anyone else in the play. (He spends only one-sixth of his time in conversation with the supposed love of his life.)
The plays with the most connected lovers seem to be the ones with strong women: “The Taming of the Shrew’s” fiery Katharina, “Macbeth’s” homicidal Lady Macbeth, “The Merchant of Venice’s” brilliant Portia, and “Antony and Cleopatra’s” seductive and defiant Cleopatra. In general, Shakespeare’s female lovers lavish a larger share of their lines on their men than the men do on them. This is true not just of “Romeo and Juliet,” but of “Macbeth,” “The Taming of the Shrew” and all four couples in “A Midsummer Night’s Dream.” The only real exceptions, tellingly, occur in the plays where the women pose as men: “Twelfth Night” and “The Merchant of Venice.” (Antony and Cleopatra spend roughly equal shares of lines on each other.)

The whole article is a fascinating read. There’s even an nifty set of interactive graphs.

shakespearean:

Would love to see an analysis of Beatrice and Benedick. Someone make a clever graph for Much Ado! The Oberon/Puck, Viola/Olivia stats don’t surprise me and are probably backed by some fanfic out there in the interwebs.

fuckyeahgreatplays:

FiveThirtyEight was surprised to find, via computer analysis, that Romeo and Juliet speak less to each other than to other characters.

I’m blaming Romeo for this lack of communication. Juliet speaks 155 lines to him, and he speaks only 101 to her. His reticence toward Juliet is particularly inexcusable when you consider that Romeo spends more time talking than anyone else in the play. (He spends only one-sixth of his time in conversation with the supposed love of his life.)

The plays with the most connected lovers seem to be the ones with strong women: “The Taming of the Shrew’s” fiery Katharina, “Macbeth’s” homicidal Lady Macbeth, “The Merchant of Venice’s” brilliant Portia, and “Antony and Cleopatra’s” seductive and defiant Cleopatra. In general, Shakespeare’s female lovers lavish a larger share of their lines on their men than the men do on them. This is true not just of “Romeo and Juliet,” but of “Macbeth,” “The Taming of the Shrew” and all four couples in “A Midsummer Night’s Dream.” The only real exceptions, tellingly, occur in the plays where the women pose as men: “Twelfth Night” and “The Merchant of Venice.” (Antony and Cleopatra spend roughly equal shares of lines on each other.)

The whole article is a fascinating read. There’s even an nifty set of interactive graphs.

atlasobscura:

A Guide to Six Strange Ocean Phenomena Through a 19th Century Text

Curious things happen out on the ocean. Some of these natural phenomena are illustrated in detail in Philip Henry Gosse’s compendium The Ocean from 1854. As part of their recent releasing of more than a million images into the public domain through Flickr, the British Library shared a few of these strange occurrences in their 19th century glory, and out on the seas you can still sometimes witness the otherworldly spectacles with your own eyes. 

We break them down for you over on Atlas Obscura…

(via questionabletastetheatre)

"You're my friend."

(via teensniper)

kind of hilarious and telling that tumblr’s April Fools video is hosted on vimeo and not their own native video service

The Ronettes - Be My Baby

Be My Baby by The Ronettes

(via zeriously)

18,309 plays
someone else took 'littlerhymes' and i'm still kind of bitter about it.

i also tumblr as NBYAY.

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